Parallaxx seed his first music experience in passion for the early eighties in home computers. A Commodore 64 Computer was his first sound machine. To raze the implentated "SID" Chip in the Computer realy, he developed programming basics to realise musical ideas. He made experience together with one of the first game and movie music composer called Chris Hülsbeck.

Later, he used the commodore Amiga computer as a midi-sequencer for the Ensoniq "ESQ1" and the Yamaha Sound-Expander "TG55". This enlarge the Equipment to a real functionary homerecording-studio. musical Hardware like the Doepfner A100, Kurzweil K2000, (Synth/Sampler), Oberheim Matrix 6R/Matrix1000, Behringer MX8000 48-Channel Mixer and many more.

In the nineties, he produced his tracks in a professional sound studio community by rent with Kai Tracid and Doug Laurent (Culture Beat).

In this house of producers, there were eight different studios and the freaks there changed information mutually. The impression of Parallaxx in the electronic movement was built by Styles like Techno, Trance and House since the lated eighty years. As a consumer of vinyl records from labels like Eye Q records, Harthouse, Bonzai records and a lot of other Labels he definated his favourite style from a kind of these productions. He made his dancing club experience in the club scene Frankfurt-Main, Germany at the “Music-Hall” (Voltastr), “Dorian Gray” (Rhein-Main Airport) and the trendy Club No1 called "Omen" (Junghofstr).